stapsreads: 'The man who does not read good books has no advantage over the man who cannot read them' (Default)
'N' in the Alphabet roundabout. A teen book, and none the worse for it. The plot hangs on the real-life murder of Grace Brown, and incorporates the victim's letters into the text - though in such a sensitive manner that it's only just occurred to me how terribly that might have turned out.

The narrator is a waitress at the Glenmore Hotel, where the tragedy is centred, working to support her father and sisters, and to raise enough money to take up a place at college in New York. I think I have been rather spoiled for stories in which the heroine's vocation is to write (I will wibble more about this on the Other Blog) because here was someone for whom this was more of a challenge than usual, and I was just rolling my eyes. A pity. Also, I saw straight through the love interest, but this may have been the intention.

Nothing particularly special, but a good enough read, with a pleasing resolution.

http://www.bookcrossing.com/journal/10491432
stapsreads: 'The man who does not read good books has no advantage over the man who cannot read them' (Default)
Subtitle: 'Three Women on Trial'.

This was sent to me as part of a bookring, and is something that I'd never have read off my own bat. It deals with three trials in Ithaca (New York), written by an author local to that area, and comes complete with bookmark from an Ithaca bookshop (which, by the way, I am keeping!)

It's one of the better true crime works I've read: always compassionate and often moving, but never afraid to admit where knowledge ends. Well-informed, aware, and bearing the hallmarks of its authorship: someone local, someone who understood - but not so insular that the foreigner loses interest. Homsher questions everything. One case, perhaps more, proves to be a house built on sand, but one still feels that it's an account worth reading.
stapsreads: 'The man who does not read good books has no advantage over the man who cannot read them' (Default)
I gave up on this one. I don't think Grisham should venture further into True Crime; this was missing all the suspense and, dare I say it, interest, of his fictional works. Dull.

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